Review: ‘Les Misérables’

I don’t imagine there are many people who do not at least know the basic storyline of Les Misérables. Victor Hugo’s seminal novel of love, redemption and revolution set in 19th Century Paris has been made into films before, and the 1987 musical version has been one of the biggest hits ever to grace the worlds’ stages.

So it’s no surprise that the musical version should finally be given the big-screen treatment. And director Tom Hooper has taken on the project with relish, casting a group of actors (many of whom have the ability to sing) and capturing their vocal performances live rather than relying on a pre-recorded soundtrack.

The result however is a mixed bag, both musically and visually.

That Hugh Jackman was cast in the pivotal role of Jean Valjean is no mistake. He’s outstanding, bringing gravitas and warmth where needed. Anne Hathaway is also excellent, so much so that the film loses its heart when it moves away from her character, Fantine. As the revolutionaries Enjolas and Marius, Aaron Tveit and Eddie Redmayne are good, bringing great passion to their roles.

Less convincing is Amanda Seyfried as the adult Cosette. Hers is a simpering, weak role to begin with, but Seyfried brings nothing to it and her singing sounds strained most of the time. Russell Crowe is also unconvincing as Inspector Javert. His vocal range is not big enough for the role, and his singing lacks the authority and conviction the role needs. Helena Bonham Carter and Sacha Baron Cohen are appropriately hilarious as the thieving Thernardiers, but neither are great singers. Luckily in their roles, it matters less.

While recording the actors singing live did add dramatic truth to the performances, I think most people who go to see a musical want to hear the songs sung well. Unfortunately, as I’ve mentioned, the performances are just too mixed.

The magnificent set design is used well, but Hooper is far too in love swooping shots over the action, fancy camera angles and using the fisheye lens. As a result, scenes often become convoluted and are awkward to watch, losing much of the drama inherent in them as a result.

I did enjoy Les Mis, but often found myself cringing at a film that’s a little less than it should be.

6.5/10