Author: Laurence Walls

Review: ‘Mandela: Long Walk to Freedom’

Biographical films are, I think, a tough sell. After all, if you want to understand the history of a great man’s life and works why not rent a documentary? A 2-hour dramatisation will always risk glossing over the facts and cheapening its subject. But movies, like any drama, aren’t really about facts: they’re about emotions and feelings. The best documentaries (I’m thinking of When we were Kings) bring real heart and warmth to their subject, but a good biopic can take us beyond the details to help us feel a little of what the subject felt, and help us know why. And in this, Mandela succeeds. It’s not perfect but it’s heartfelt and genuine. Like the man himself, perhaps. The film begins and ends with Nelson Mandela’s dream – a simple life well lived, surrounded by all the people he loved. That the dream has changed by the end suggests that this was possibly not the life he imagined. We follow him from his childhood village where his drive and aspirations were perhaps shaped, through his early life as a lawyer in 1940s Johannesburg, his rise through the ranks of the ANC, and to the violence against the apartheid regime that lead to his incarceration for 27 years. This early Mandela is not the deific figure of modern popular imagination: he’s ambitious, he smokes and drinks, he fails his...

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Review: ‘Gravity’

How often are we promised thrills by a film’s trailer, only to find that the ‘promise’ comes with the quid pro quo of swallowing heavy-handed monologue from a sweaty superhero about man’s inhumanity to man etc. ad-nauseum… …well, not this time. Gravity is 91 minutes of the most scintillating cinema in recent memory. My 60-something Mum, usually indifferent to the action-adventure genre, came out of this breathlessly exclaiming: “That was absolutely amazing!”. We’re thrown right into it. With an opening shot reminding us of 2001: A Space Odyssey, we’re in orbit with veteran astronaut Matt Kowalski (George Clooney), rookie Mission specialist Dr. Ryan Stone (Sandra Bullock) and the crew of the Explorer shuttle as they repair the Hubble telescope. Suddenly disaster strikes in the form of lethal space debris, and Stone and Kowalski must fight to rescue their vessel – and their lives. And that’s it. No subplots, no tangents, just hang on. At heart this is a hapless-human-struggles-against-impossible-odds story, but it’s so well done you don’t care. The visuals of disintegrating spacecraft are so utterly believable you forget you’re (probably) watching special effects (unless this was the most expensive location shoot in history!). The action is so well paced our attention rarely wanders, and Steven Price’s minimalist score accentuates every scene. The great film-making trade craft extends to the human story at Gravity‘s heart too. We know just...

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